Oblique Strategies

Last modified by Justin Morgan on 2019/09/29 18:04

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Write own Oblique Strategies cards using regular playing cards.

  • A line has two sides
  • A very small object. Its center 
  • Abandon desire
  • Abandon normal instructions 
  • Accept advice 
  • Adding on 
  • Always give yourself credit for having more than personality 
  • Ask people to work against their better judgement 
  • Ask your body 
  • Balance the consistency principle with the inconsistency principle 
  • Be dirty 
  • Be extravagant 
  • Breathe more deeply 
  • Bridges – build – burn 
  • Cascades 
  • Change ambiguities to specifics 
  • Change instrument roles 
  • Change nothing and continue consistently 
  • Children – speaking – singing 
  • Cluster analysis 
  • Consider different fading systems 
  • Consult other sources – promising – unpromising 
  • Convert a melodic element into a rhythmic element 
  • Courage! 
  • Cut a vital connection 
  • Decorate, decorate 
  • Destroy nothing; Destroy the most important thing 
  • Discard an axiom 
  • Disciplined self-indulgence 
  • Discover your formulas and abandon them 
  • Display your talent 
  • Distort time 
  • Do nothing for as long as possible 
  • Do something boring 
  • Do something sudden, destructive and unpredictable 
  • Do the last thing first 
  • Do the washing up 
  • Do the words need changing? 
  • Do we need holes? 
  • Don't avoid what is easy 
  • Emphasize differences 
  • Emphasize repetitions 
  • Emphasize the flaws 
  • Feed the recording back out of the medium 
  • Fill every beat with something 
  • Find a safe part and use it as an anchor 
  • Get your neck massaged 
  • Ghost echoes 
  • Give the name away 
  • Give way to your worst impulse 
  • Go outside. Shut the door. 
  • Go slowly all the way round the outside 
  • How would you have done it? 
  • Idiot glee 
  • Imagine the piece as a set of disconnected events 
  • Infinitesimal gradations 
  • Intentions – nobility of – humility of – credibility of 
  • Into the impossible 
  • Is it finished? 
  • Is something missing? 
  • Is the intonation correct? 
  • It is quite possible (after all) 
  • Just carry on 
  • Left channel,right channel, center channel 
  • Listen to the quiet voice 
  • Look at the order in which you do things 
  • Lost in useless territory 
  • Lowest common denominator 
  • Magnify the most difficult details 
  • Make a blank valuable by putting it in an exquisite frame 
  • Make what's perfect more human 
  • Mechanize something idiosyncratic 
  • Mute and continue 
  • Only one element of each kind 
  • Openly resist change 
  • (Organic) machinery 
  • Put in earplugs 
  • Reevaluation (a warm feeling) 
  • Remember quiet evenings 
  • Remove a restriction 
  • Repetition is a form of change 
  • Reverse 
  • Short circuit (example: a man eating peas with the idea that they will improve his virility shovels them straight into his lap) 
  • Simple subtraction 
  • Spectrum analysis 
  • Take a break 
  • Take away the important parts 
  • Tape your mouth 
  • The inconsistency principle 
  • The tape is now the music' 
  • Think of the radio 
  • Tidy up 
  • Trust in the you of now 
  • Turn it upside down 
  • Twist the spine 
  • Use an old idea 
  • Use an unacceptable color 
  • Use fewer notes 
  • Use filters 
  • Use your own ideas 
  • Water 
  • What are the sections sections of? Imagine a caterpillar moving 
  • What are you really thinking about just now? 
  • What is the reality of the situation? 
  • What mistakes did you make last time? 
  • What would your closest friend do? 
  • Work at a different speed 
  • You are an engineer 
  • You can only make one dot at a time 
  • Your mistake was a hidden intention 
  • Don't break the silence 
  • Don't stress one thing more than another 
  • Use "unqualified" people 
  • What wouldn't you do? 
  • Try faking it [Stewart Brand] 
  • Slow preparation, fast execution 
  • Is the style right? 
  • Where is the edge? 
  • Voice your suspicions 
  • What is the simplest solution? 
  • Make it more sensual 
  • Use something nearby as a model 
  • Think – inside the work – outside the work 
  • What context would look right? 
  • When is it for? 
  • What to increase? What to reduce? What to maintain? 
  • How would someone else do it? 
  • Would anyone want it? 
  • Go to an extreme, come part way back 
  • Once the search has begun, something will be found 
  • Be less critical 
  • From nothing to more than nothing 
  • Retrace your steps 
  • Only a part, not the whole 
  • Faced with a choice, do both [Dieter Rot] 
  • Always give yourself credit for having more than personality [Arto Lindsay] 
  • Revaluation (a warm feeling) 
  • Lost in useless territory 
  • It is quite possible (after all) 
  • Idiot glee 
  • Move towards the unimportant 
  • It is simply a matter of work 
  • Not building a wall; making a brick 
  • The most easily forgotten thing is the most important 
  • State the problem as clearly as possible 
  • Always the first steps 
  • Question the heroic 
  • Go outside. Shut the door. 
  • In total darkness, or in a very large room, very quietly 
  • Which parts can be grouped? 
  • Change specifics to ambiguities 
  • Use cliches 
  • Consider transitions

  • Abandon desire
  • Abandon normal instructions
  • Accept advice
  • Adding on
  • A line has two sides
  • Always the first steps
  • Ask people to work against their better judgement
  • Ask your body
  • Be dirty
  • Be extravagant
  • Be less critical
  • Breathe more deeply
  • Bridges -build -burn
  • Change ambiguities to specifics
  • Change nothing and continue consistently
  • Change specifics to ambiguities
  • Consider transitions
  • Courage!
  • Cut a vital connection
  • Decorate, decorate
  • Destroy nothing; Destroy the most important thing
  • Discard an axiom
  • Disciplined self-indulgence
  • Discover your formulas and abandon them
  • Display your talent
  • Distort time
  • Do nothing for as long as possible
  • Don’t avoid what is easy
  • Don’t break the silence
  • Don’t stress one thing more than another
  • Do something boring
  • Do something sudden, destructive and unpredictable
  • Do the last thing first
  • Do the words need changing?
  • Emphasize differences
  • Emphasize the flaws
  • Faced with a choice, do both (from Dieter Rot)
  • Find a safe part and use it as an anchor
  • Give the game away
  • Give way to your worst impulse
  • Go outside. Shut the door.
  • Go to an extreme, come part way back
  • How would someone else do it?
  • How would you have done it?
  • In total darkness, or in a very large room, very quietly
  • Is it finished?
  • Is something missing?
  • Is the style right?
  • It is simply a matter or work
  • Just carry on
  • Listen to the quiet voice
  • Look at the order in which you do things
  • Magnify the most difficult details
  • Make it more sensual
  • Make what’s perfect more human
  • Move towards the unimportant
  • Not building a wall; making a brick
  • Once the search has begun, something will be found
  • Only a part, not the whole
  • Only one element of each kind
  • Openly resist change
  • Pae White’s non-blank graphic metacard
  • Question the heroic
  • Remember quiet evenings
  • Remove a restriction
  • Repetition is a form of change
  • Retrace your steps
  • Reverse
  • Simple Subtraction
  • Slow preparation, fast execution
  • State the problem as clearly as possible
  • Take a break
  • Take away the important parts
  • The inconsistency principle
  • The most easily forgotten thing is the most important
  • Think – inside the work -outside the work
  • Tidy up
  • Try faking it (from Stewart Brand)
  • Turn it upside down
  • Use an old idea
  • Use cliches
  • Use filters
  • Use something nearby as a model
  • Use ‘unqualified’ people
  • Use your own ideas
  • Voice your suspicions
  • Water
  • What context would look right?
  • What is the simplest solution?
  • What mistakes did you make last time?
  • What to increase? What to reduce? What to maintain?
  • What were you really thinking about just now?
  • What wouldn’t you do?
  • What would your closest friend do?
  • When is it for?
  • Where is the edge?
  • Which parts can be grouped?
  • Work at a different speed
  • Would anyone want it?
  • Your mistake was a hidden intention
  • Use fewer notes
  • Use filters
  • Use ‘unqualified’ people
  • Water
  • What are you really thinking about just now? Incorporate
  • What is the reality of the situation?
  • What mistakes did you make last time?
  • What would your closest friend do?
  • What wouldn’t you do?
  • Work at a different speed
  • You are an engineer
  • You can only make one dot at a time
  • You don’t have to be ashamed of using your own ideas